The Raja play is a legendary Bengali play by Rabindranath Tagore. It was written in 1910 and first staged in 1911. It was a major event in the life of Tagore as it was a turning point in his personal, artistic and public life. He sublimated the pain and grief he felt by creative work and engaged himself in social activism. This intense engagement, however, pushed him into a financial crisis. His novel Gora, verses of Gitanjali and the play Raja all reflect his realization of life as a beloved tormentor.
The story of a Maratha warrior, Raja is an epic of valour, drama and politics. It is set in the 17th century and captures important events like Shivaji Maharaj’s birth, his pledge of sovereignty, years of struggle Website and the coronation ceremony. The play also captures his battle against the British, Afzal Khan’s death and his escape from Agra. Spectacular fireworks and the recreation of 17th-century scenes make the Raja play a memorable one.
Moreover, the show portrays how Shivaji ruled with his principles of justice and fairplay. This was possible as he included people from all communities and religions in his army. Hence, the Raja play is a great depiction of a true Indian hero.
The production of the play in different languages across the world has enriched it further. It has been translated into French and German, and has received critical acclaim from international theatre practitioners. The play is also a great inspiration for many artists. It is a must-watch for all history buffs and art lovers.
Raja Feather Kelly has been the choreographer for countless boundary-pushing Off-Broadway shows since 2016. She brings her innovative style and flair to this edgy musical about the life of revolutionary Indian warrior, Raja.
During this time, she has also taught movement and devising as an adjunct professor at the University of Richmond, and is an avid community activist. She is a sought after educator and has presented her work in numerous colleges, universities, and independent intimacy programs across the country. She currently serves as the Community Engagement and Outreach Manager at The Richmond Triangle Players, a professional theatre company focusing on queer stories and artistry. She is also a trained Intimacy Facilitator and has been certified by the Educator Advocacy Program and Intimacy Coordinators of Color. In addition, she has been a guest artist at Randolph College, Oberlin College, and Penn State University.